There are lots of clichés that crop up in photography in general and underwater photography specifically. In this occasional series I’m going to look at some of the sayings and maybe a few of the techniques and styles as well.
Taking pictures and video while diving has become increasingly popular since the advent of digital cameras. But the camera market has also become more and more complex with numerous pitfalls for would be underwater photographers. In this blog I'm going to clarify a number of the factors that make some cameras better for underwater photography than others.
When speaking about underwater photography to diving clubs in the UK I often get asked whether the things I talk about apply to GoPros. The basic underwater photography techniques are very relevant to using an action camera, but I thought it would be good to put my money where mouth is and do some still photography with a GoPro on my latest trip to Egypt.
I’ve not addressed one of the big questions in underwater photography yet. Which are better strobes or video lights? In this blog I am going to explain how using these different light sources impacts on your underwater photography and look at when you would use one or the other. I’ll also try and give some advice on how to set your camera when using a constant light source rather than a flash.
In my previous blog I looked at what accessories can be added to your Olympus TG5 to enhance its performance. Now I’m going to talk about what settings I used and what techniques worked for me.
For my first blog in a while I thought it would be good to draw together answers to some of the questions I’ve seen asked on Facebook both on our own group and other diving and underwater photography groups. I’ll start this series off with some questions relating to dome ports and domed wide angle wet lenses.