When speaking about underwater photography to diving clubs in the UK I often get asked whether the things I talk about apply to GoPros. The basic underwater photography techniques are very relevant to using an action camera, but I thought it would be good to put my money where mouth is and do some still photography with a GoPro on my latest trip to Egypt.
In part two of my musings I mentioned using a snoot to manipulate strobe lighting while taking underwater macro shots. In this blog I'm going to cover them in some detail.
In part one of my macro musings I talked about what macro is and a bit about macro lenses. Lets move on to a common question from would be underwater photographers.
In Part 1 of this series, we looked at why we use wide angles in our underwater photography, and shared a few tips about shooting and composing with your reef shots but one of the most important areas we would use our wide angle lenses is for shooting that other mainstay of underwater photographers, and this is for shooting the wrecks we love so much.
To complement my colleague Phil’s ongoing series of articles on macro shooting , I’ve decided to follow suit and show the other end of the scale that us underwater photographers indulge in with a short series of three posts looking at how we utilise our wide-angle lenses to illustrate our aquatic excursions, that really should be the name of a 70’s prog rock band!