Articles on a range of underwater photography and diving related subjects
For underwater photography the most popular arm systems for positioning strobes or video lights are those that use 1”/25mm ball ended arms with clamps to hold them together. These clamps are made by lots of brands, come in a range of designs with cost and quality varying. This blog is an explanation of the differences between the clamps we sell and an explanation of the uses you might have for the non-standard types of clamp available.
In the second of our chats on Wetpixel Live Adam and I talk about what to think about when buying a compact camera for underwater photography.
At the Go Diving Show a couple of weeks ago I was asked by Adam Hanlon of Wetpixel to do a couple of chats on their Wetpixel Live YouTube series. Here’s the first of them where we talk about the trends in entry level equipment for underwater photography and why in general a compact camera is still a good option.
We are dealers in a range of underwater photography equipment and also run workshops in the UK and overseas. Email info@alphamarinephoto.com to book on workshops, buy equipment or get advice.
One of the most significant limitations for underwater photography is that you can’t change your camera battery during a dive. Because of this it’s a wise move to keep your camera’s power consumption to a minimum, so here’s a range of tips on how to get as much shooting as possible from that battery.
Following on from my previous talk, this one takes a specific look at the Inon S2000 which is our best selling strobe. I cover all the features and controls including how to set it up for cameras with and without pre-flash. i also explain how the quite small controls can be operated when wearing gloves.
If you’d like to watch the first of my Facebook Live videos click on the picture below. In this one I talked about strobes (underwater flashes) including how they got their name, the difference between video lights and strobes for underwater photography, combined video lights/LED strobes and what makes a good strobe .
Following on from my chat about the cameras and lenses we use I then did another about the housings by Nauticam that we use. Here’s the complete uncut video and I’ll put some relevant links below it that you might find of interest.
